Saturday, December 25, 2010

Price In Rupees Of Lakme Eyeshadow

25th December 2010

I actually don't know why I'm writing here. I don't know why I'm writing in English. But it's not that bad, I practice the language and it's a good thing. And I don't even know if someone will read this. But I don't care that much, writing helps me a lot sometimes. 

Today is Christmas! Oh well, it was Christmas, it's 21:46 now and the day's almost finished. I celebrate this day at my grandma's home with my mum, my aunt, my cousin and his girlfriend. I would never have imagined I could have such a fun with them! My cousin is really funny, I missed him a lot! We actually are not in touch that much, he has a job and likes traveling and I have the school and I often forgot about him. I  feel sorry for this, he's ra good person! Although sometimes he gets nervous and angry for nothing XD
But today is a bit particular...I don't know why, but I don't feel the usual Christmas vibe at all. Maybe I'm only growing up, or maybe it's because I've not really celebrated Christmas lately. I used to go to my aunt's and celebrate there, but since my granfather died two years ago, we lost each other a bit :\ and so I found myself celebrating Christmas at my sister's house, with her husband and his parents. It wasn't that bad, but I've always felt like I was missing something, and that something were my aunt, my cousins and my grandma.

Today should be a day of joy and I'm transforming it in something really sad XD So come on, I do not have to be sad! After all, I Spent a great time today:) Aaaand I'm going out tonight! To the disco on Christmas, haha! I really really can not wait to be there with my friends, I'm sure I will enjoy myself a lot as always:)

So! Merry Christmas! I hope you Spent a great time! :)
See yaaa ~

Sunday, November 14, 2010

Bloon Tower Defence 4

Misael Space Contemporary Art Collective presents the "Secret Path" God



Area Misael - Vicenza

is pleased to present

"Secret Path"

Curated by Angelo Cruciani

Artists:

Mark Rea, Dorian Rex, Manuel Scrima, Katz,

Antonia Trevisan, Andrea Martinucci

video performance by Santasangre

Designer:

Pasquale Marino, Chez Clo, Recreate, Andile Dyalvane, Dyane Harper Light Designer:

Heath Nash, I Felt Like it

from 10 December 2010 to February 2, 2011

;

"secret path" is the proposal that the Area Misael presents during Christmas, at the end of a 2010 satisfaction for the new cultural Vicentina: an exhibition of contemporary art that collects a range of delicate sensibilities, a crew of artists who want to define "children of the crystal and china, and so precious fragile.

Mark Rea, Dorian Rex, Manuel Scrima, Katz, Antonia and Andrea Trevisan Martinucci are the artists that are told through an exhibition that draws an invisible path to which the viewer can access to participate in a game of questions that have no answers: the works in their succession to one another indicates that those goals are often the reason for refusing.

artists reveal the secret path to his own conscience: it is the sensitivity to indicate the path that leads to awareness of oneself.

The Secret Path is what the viewer is invited to discover, not all have the same goal, but the way to go is the same and the artists are asking us to mine the depths of our bodies and find it.

Between the Solitudes of divine Dorian Rex and mysterious creatures of Pseudoumane Mark Rea, through the vibrations of Santasangre to the sweet shots of Manuel Scrima , the journey is lost in the maze of Andrea Martinucci then wake up in the cosmic lands Antonia Trevino .

among the shadows and nuances are lost in that place where the boundaries and penetrate the size, it opens a path to emotional delights us by the reality that lies between nell'immaginifico the daily thoughts, our essence leads us to the true sources of life.

Designers chosen to accompany the exhibition: Pasquale Marino , talented, creative experiences through the dress and a mind without boundaries Chez Clo, divine presence through the magical world of minerals transformed the energy of crystals in Poetry.

installations of Light Designer Heath Nash and I Felt Like it come exclusively from the last Salone del Mobile in Milan.

Making its debut at Vicenza also two fine ceramics of South African artisans Andile Daylvane and Diane Harper, who for years evolve the ancient art that connects the earth to the sun.

Misael The Project is an experimental laboratory which sees young artists put their skills to serve those viewers hungry for beauty and constantly in search of excitement away from the superstructure of contemporary society.

Vicenza, Shanghai and Cape Town are the three branches of the project Misael, locations from which it is imported and exported to the creativity of young people with the aim of creating a fervent movement that feeds on cultural exchanges.

" Secret Path "

Curated by Angelo Cruciani

Area Misael - Vicenza

from 10 December 2010 to February 2, 2011

Vernissage: Friday, December 10, 2010 from 18:00 to 22:00 Admission free

Address: Galleria Ports, Corso Palladio - 36100 - Vicenza

Hours: Mon - Sat 10-13 16-19:30

Info: Monica (Manager Misael Vicenza) tel: 0444294950 - ph: 345 4302297

Website: www.misael.eu

Mail: MisaelProject@gmail.com

Press Office: Flavia Lanza - flavialanza6 @ gmail. com ; 340_9245760

Pokemon Leaf Green Advancemap Not Wokring

O'Clock Horlogerie EXQUISITE God Is Wearing A Rolex



God O'Clock

Horlogerie EXQUISITE

God Is Wearing A Rolex

exhibition of CHRISTIAN ZANOTTI

on crystal photography, digital art, video

By Alberto Mattia Martini

FAMILY MARGINS

Galleria d'Arte Contemporanea - Milan

from 25 November 2010 to January 20, 2011

with the patronage of the Province of Milan

The papers presented by Christian Zanotto tunnel Family margins are new, the result of years of uninterrupted research, secret, led to further investigation into the creative possibilities in between the physical and the immaterial, to open new thresholds to be alchemy that the black mirror of the contemporary passages to cross, like Alice, to undertake a journey through an unusual normally veiled universe, but ubiquitous and eternal. By stimulating the intimate dimension of our psyche in order to move forward with a sense of ambiguity ', the artist invites us to look for a new key with which to look to the deepest questions about the nature of our existence, without getting lost in alienating marked by the automatic rotation of the clock to swastika.

The show's title, "GOD O 'CLOCK - Exquise Horlogerie - God Is Wearing A Rolex" proposes, through word games with the idea of a God who is bluffing on the end of time.

The Rolex watch synonymous with supreme quality, the 'gold watch' par excellence, worn on the wrist of God becomes a symbol of prestige to those of time and 'master, because it decides the existence and the term .

An intelligence sadistically constructed using as feedstock the fears and hopes of man, holds an exquisite gimmick created to show the elusive, thought out for total control of mind body social. That amount now shows you new ways of telling a route open to a changing mutability: a trip to somewhere else, the horizon line, moment by moment, along marginal roads and build new bridges between extremes apparently unbridgeable.

The art of Christian Zanotto and 'continually seeks to implement the conjunction of opposites. a chance on the edge. rationality and madness in his works are completed, as well as love for the right and the false, the aesthetics and the anesthetic.

Unpublished technical virtuosity, and ambiguity seem mystifying art through the filter and push to wonder what the real source of things. In the absence of a definite answer, the man continues to get lost and find yourself in the mirror of a spiritual mechanism of gears, where the terror is mixed with pleasure, the sublime with Eros and Psyche.

A beauty charm extreme, beyond the 'mirror live in large glass blade exposure " EXQUISITE Horlogerie".

The figures, placed in a immaterial dimension and light, draw the imagery of the sacred, the religious, the mythological characters and mighty winged hieratic "priestesses", separate from the perfect body, masculine and feminine at the same time, we are presented, painting after painting, in their nakedness and clothing adorned with a paper full of precious details.

Next to them, then here is the presence of complex machines and metallic gold, sort of thrones, transportation or combat, impressive buildings obscure function with several gears.

The videos give us wings to fly wax in a path of insight into the knowledge of the nature of the universe, all certainty dissolves between input conscious and unconscious, in a whirlwind trip of lights, sounds, words and colors.

L '"Olympus" by Christian Zanotto is generated by the light of developments in the virtual world, interlaced between different software, such as in a parallel reality that is given through the new techniques of digital image transfer on crystal, through a process of photographic exposure.

The matrix of artificial intelligence with which the artist elaborates, living with a rigorous design spirit and a sacred respect for the random synchronous.

The figurative, always set up a great control of composition, and 'in fact imbued with the memory of learned traditional ways of painting, from images produced in the workshops by the artists in the Renaissance, the references and echoes of Gothic, Mannerism, the Baroque. The works seem so, in our memory, cause a new sense of space-time continuum. The preciousness of the plots and storylines of various complex patterns refers to the perception of the sense of interconnectedness continues, close to the Flemish style by the visionary courage and obsessive attention to detail over-defined.

The large crystal and 'a frozen black mirror of the contemporary: the authoritarian figures, untouchable in their sphere of wealth and power, governments relentless and exquisite clockwork mechanisms, which make us psychologically tied to higher meat dogmas of automatic unconscious. The alternative 'to become a living entity and the awareness that makes us, the chance is to take a philosophical and spiritual journey, looking for answers no longer alien, unique and personal.

Family margins under the patronage of the Province of Milan

God O'Clock

Horlogerie EXQUISITE God Is Wearing A Rolex

exhibition of Christian Zanotto

By Alberto Mattia Martini

FAMILY MARGINS - Ass cultural and Contemporary Art Gallery

Milano - 25 November 2010 to January 20, 2011

Opening: Thursday, November 25, 2010 at 18:30 Cocktail

Address: Via Simone d'Orsenigo n ° 6, 20135 Milano.

Hours: Monday to Friday 14.00 to 20.00 (by appointment)

Info: tel. 02_55199449 - 328_7141308

Website: www.famigliamargini.com; www.christianzanotto.com;

Organization: Family Margins - galleriafamigliamargini@gmail.com

leaflet shows .

In collaboration with:

RED STAMP ART GALLERY
Rusland 22 Amsterdam 1012 CL

www.redstampartgallery.com

Press : Flavia Lanza - flavialanza6@gmail.com ; 340_9245760

Monday, October 18, 2010

Watch South Park On Quick

Spam to community Go to the West!




GO TO THE WEST!

Fanartist to the West: Saiyuki Community


born the first true all-Italian community dedicated to fans of manga's most famous author Minekura Kazuya: Saiyuki ! Are you a fan of the series? You like to draw fan art on them? And try their hand at writing fiction contest? Want to share your work with other fan charts, videos and your passion for this wonderful manga / anime? If the answer is yes then what are you waiting to reach us!

the community will find many sections where you can post your work, something for everyone! You can express yourself and your art show us your talent! Tell us your views on the Saiyuki boys, other fans are waiting for you to share all this!

also many contests, prizes and surprises continue succulent, the adventures never end with us!

What do you do then, you're still there dazed at the keyboard?! Hurry before they reach the venerable Sanzo alter and start to use his harisen against you to convince you that this community is absolutely fabulous!

The community is young, help her to grow! The staff of Go to the West awaits you with open arms!

WELCOME TO THE WEST!



Test for use in spam LJ Go to the West! : D For the forum to use the code will be slightly different for technical problems HMTL! XDD
The version for the forum here instead: # http://saiyukianimemangatlotr.forumfree.it/?t=51533141 entry422122526

See ya! ♥

Wednesday, September 22, 2010

How To Finalize A Dvd On Sv2000

Chapter 3 Marriage


'Cause everytime we touch, I get this feeling
,
& everytime we kiss, I swear I Could Fly
,
Can not you feel my heart beat fast,
I want this to last, Need you
by my side.

Cause every time we touch I feel this feeling

and every time we kiss I swear I could fly

not you hear my heart beat fast I want this

hard I need you next


Everytime We Touch Cascada

I would stay here forever in the garden with grass indirectly in contact with the feet.

"Stella, enters. There is too cold, "

I turned toward the voice.

Dad.

"and you're even without a jacket. Keep. "I lay on the shoulders a shawl.

"thank you" I replied, shrugging slightly too soft fabric to warm enough.

stay a while 'not to mention, not even look in his eyes, too busy staring at the moon and the stars. If there's one thing I love about my father is this: he knows to be present, listen to me, but is not oppressive.

"Did you see your sister?"

"is not there?"

He snorts.

'no ...'

But if when I left for ... to dance with Draco was inside. Where can it be?

'must be out here, I'm going to look, "I say only, without even waiting for a response.

is around here, I know. Around me there is so dark, I can hardly see where I put my feet.

'oh ... Blaise, I ... I do not know what to say ... really ... "the voice of Daphne stops by moment the beat of my heart.

What's happening?

Blaise, or rather its shadow, as far as I can see, it's knees, while a shadow from a woman's curves, I recognize as Daphne, tremble, from what I hear, due to a hiccup.

me closer to them, to see them better: now we kissed the moon under her beams, and even weep Daphne is beautiful, and the moonlight makes it, if possible, even more charming .

He has something in his hand, but I can not see what.

I step back and, as it is logical, tripping on something. 'To Merlin, "whisper while I'm about to fall.

But do not fall.

Someone took me by the shoulders before the inevitable happens. Um, I guess not fall on anything but about someone, on someone's foot.

'all right, Asteria? "No, not him.

'what are you doing here, Malfoy? "Whisper away from his grasp with a jerk.

"apparently for the same reason your"

"I was looking for my sister blurt floor offense.

"Certainly, Asteria," he says holding up the corners of the mouth.

gave him a hostile look, which would have frozen everyone-or at least I hope so-but he is accustomed to that kind of looks, although it is usually to throw him.

Head back with a pitch that should have been decided and elegant, but resembles that of an elephant.

"Then, Asteria, it seems we'll see"

Immediately stop walking, turning slowly towards him.

What?

again?

stared from amazement.

'again? And why "I mixed with ironic grimaces awe-terror.

"you have before you, the best man, and I suppose you'll be the bride"

But my sister must marry by force with Draco's best friend?

jet for a moment our eyes to Blaise and Daphne, to be sure that my fears are well founded or not. Maybe

tells him no, maybe she has second thoughts.

But I doubt that if this were the case she would throw her arms around him and kiss him with all this heat.

Yes, we say they are based.

Down eyes defeat, and try to console me: after all, are Zabini and Daphne to marry, and not us. No?

*

"Stella? Are you okay? For some 'time I see you quite distracted "

Daphne started to read my face, no longer need a lighted sign to understand what I feel, as before happened.

I look at her, and stop tormenting a nail.

"I'm fine, I'm just waiting for a letter." I say referring to the Moon.

His last letter to me very scared. What happened can be so serious as to able to say in a letter?

I have not received your response.

is usually she who advise me, what can be happened to reverse things?

Maybe I want to talk about his mother. This argument has always been an untouchable subject with her, always changing discourse trying to imitate a lost smile.

certainly prefer to start the conversation face to face. I can not blame her, and it is useless to worry, it's just busy with work, that's why still not responding.

Daphne smiles as they do only the Slytherin, and lifts his chin as if he understood everything.

"is at night, the letter" is not a question.

Esco quickly from my mind, frowning and then snaps back, "but what do you say? Daphne, I'm not expecting any letter from Nott, then why should I wait a letter from him? "

She raises her long eyelashes and ran his tongue between his lips, taking theatrically chin between thumb and forefinger trying to simulate a funny grimace of concentration.

"I do not know ... for an appointment ... maybe? You know I would not mind seeing someone with a marriage '

"do to fantasize with my life, Daphne, I will never marry me unless I will not be forced "

you make a little smile.

"And what about Draco? I've seen you dance, and I do not think he will be indifferent "

" I am not indifferent, of course, how can it be indifferent idiot, rude ... "

She stops smiling uncomfortably.

"sure, but this ... how did you call? ... Er, rough ... idiot ... did not seem bothered when you are dancing with you, "I feel

face going to fire only for the memory.

I try to paint the anger on my face and not look awkward or ridiculous.

"I left in mid-dance, there is a reason ... and then, about Draco, how did you allowed to get in the middle? If I did not want to dance, they were my own "

clenches his fists until you hear the little nails neat and just eat the flesh of the palm.

She rolled her eyes.

"you should thank me, you were refusing to do your most important occasion"

'dance with him? "He asked shocked.

shakes his head, smiling softly.

"I know Draco more than ten years, and, believe me, I've never seen a girl look as he looked at you, guess what I want to marry you in less than years'

imitates a retching.

"and this is a great opportunity?"

not have time to argue that a funny bird colorful hurtling towards me, throwing the letter in his hands and running away from where he came from.

I know for sure who may belong to a bird like that.

"Moon,"

I hasten to open the envelope while Daphne mutters things that I can not understand much, except "my chance", "Blaise" and "Marriage."

Dear Stella, I'm sorry

respond with so much delay, but I'm sure you will forgive me.

You are free in two months? I will be free only for an hour, but if you want you can come to me at any time, you know, my door is always open.

I miss you so much,

your moon.

Uhm, it should be fine, Daphne gets married next month, but in two months I should be free. It would be also a great excuse to get away from my mother who does nothing but repeat that before long I will be of marriageable age, as if somewhere it was written when someone has to love marry.

too busy biting my lower lip did not think I see the eyes of my sister, peering over my shoulder the contents of the letter.

I realize this only after a few seconds. I squeeze the missive turned to her chest.

"Draco is not, it's Theo, it's anyone you can think!" Blurt-cry in the face.

"I'm sorry, eh? Ah ha! " says she drowned with laughter.

*

"EMH ... I ... Stephanie Daphne Greengrass, take you, Blaise Zabini ... like my husband ... for ... love you ... and honor ... for the evening ... for life ... no, that is for life ... and what the heck! "Daphne yelled at a short distance from my ears.

This is the thirtieth time I repeated promises, the more he repeats it more wrong. I said everything? Ah, no, I forgot: Tomorrow will be married, you can well understand his excitement.

With other people I told to calm down, but knowing it would jump to his feet and yelling with rage against things like this: "you're too young to understand," "What do you know?", "because Mom did not give me an older sister and with more experience?"; "to his underwear Merlin! "

I do not have the time to wonder if this can help to vent his anger began to sob.

"I do not remember anything. Tomorrow I will make a bad figure ... e. .. and Blaise ... decide not to marry ... does not consider himself worthy of ... oh! "screams his head into the pillow.

rolled his eyes.

It is so nervous for days, screaming every time something does not go as you want-the right way, as he prefers-her: she cries if the flowers are rather than 17 thousand 16 thousand 18 thousand buy-and end- if the dress of the maid of honor is not that bright green she wanted, if believed to be fatter than normal, and believed not to get into her dress, or to get in but be bad-which is absolutely false .

"but if you learn the promises before walking 'puff making them lift her head from the pillow drenched now, with eyes so blue swollen.

a smile-grimace, clutching the pillow to his chest like a child who had a nightmare and is close to her favorite toy.

"and how .... never ... I do not remember anything? "muttered between sobs.

"because you're nervous is normal, no?"

"and if tomorrow I am still nervous? In your opinion, remember what I say? "She begins to scream.

I sit next to her flowing around his shoulders with one arm.

"No, I'm sure ... I know you will forget everything ... "She

free from my embrace yanked her back to me.

smile to your lips.

"but I am also sure that looking into his eyes you'll find the words, and not because you know by heart, but because it is what you offer"

spun locked in an embrace, returning to sob .

"I love you" she whispers.

'I' really.



* "I, Blaise Zabini, take you, Stephanie Daphne Greengrass, as my wife, to love and to cherish all my life till death do us part '

Daphne moisten the mouth turning to me for a short time she sees me with a wink.

Now her eyes are inside those of Blaise.

"I" blowing softly and elegantly-who knows how hard can show it, "Stephanie Daphne Greengrass, take you, Blaise Zabini, as my husband" blinks to drive back the tears that threatened to abundant fall.

"to love and to cherish for a lifetime, till death do us part" I see

mother laying in the front row all proud and haughty air, but I know it would cry, Daphne has always been his favorite, so like her, the only daughters who both as she ever wanted.

Even Dad's eyes are shiny and thin mother's shaking hands. Do not look for fear of seeing their reflection in the eyes of the other and burst into tears.

I, without dignity or demeanor, I cry.

She's gone.

I knew one day would happen, but who would have thought that day would come so quickly? Before I would have enjoyed as never know that snake that pride was gone, but now ... now that I know her like a sister ...

is so beautiful and young, it seems even smaller than me.

Yet it is a lady, Mrs. Zabini, grimacing as I think it sounds bad.



"Daphne is really beautiful, is not it, dear?" Mother question for the hundredth time.

"yes, it's wonderful," he murmured as we are in the vast garden Zabini.

Everywhere around us was green and full of flowers of many colors. Although Greta Zabini makes me afraid, I must admit that it has good taste.

Dad quietly with a smile thanks me for having responded to his post: I know that is no longer able to speak without crying-I, after I vented to church, I can not cry anymore.

"you'll see, Asteria, you too will one day find a husband" she "relaxes" my mother.

"and if I did not want?" I can never decide my own future?

"does not mean your usual nonsense, and performed well: the opportunity may come sooner than you could ever imagine, "

ambiguity mom makes me raise an eyebrow blonde staring confused, but she does not return the gaze her back to me.

seems to escape the mother of Blaise with the "urgent need" to remember how wonderful.

"never like you, Penelope, you're still so young!"

My mother is not at all bad, in fact, despite his age is still very beautiful, but it certainly is not comparable with Narcissa Malfoy Greta or Zabini.

Mom smiles with composure.

"You're very kind, Greta, but the bride and groom?"

"are in, enter"

not have time to put one foot in the house that someone is calling me.

"Asteria! Oh, how nice to see you, do you remember me? I'm Tracey Davis, I was your year, but Slytherin potions we did together, "

A girl taller than me with eyes like brown hair tied in a chignon elegant, slender with a soft-featured face.

I remember talking to her sometimes, and sometimes I view with Theo, and how he has never proven to be a "snake".

"Sure I remember"

start talking freely, remembering Hogwarts, professors, the various parties, the Yule Ball, etc..

It's nice to see that it is not the only one to miss school.

The music sounds from the laughter, the chatter, the smiles of the people.

Among all know a little head-snow blond with a face expressionless, his eyes fixed on the floor next to his shoes thoughtful.

Maybe he thinks.

is pale as ever, but not him, not the inflated balloon, the bullies, obnoxious, but I do not know Draco.

Apparently even the Slytherins are human beings.

"Asteria, come here?" I called my sister.

jolt knowing what he wants to tell me, and what it means.

People are starting to sit, as well as I should do ... sit next to him.

"Daphne, really ..."

But she silenced me.

"we have already discussed Stella. Just sit back and do the good, and the most important day of my life, you will not want to ruin me? "

sigh with their backs to the wall.

And just for today, Stella, tomorrow you do not even remember his name, tomorrow you'll wonder what color are his eyes, tomorrow you'll wonder what flavor they

her lips ... and this has to do that?

What I take now?

"Good to see you, Asteria" trying to start a conversation my neighbor.

"regret that I can not say the same," I retort it.

He laughs.

"ha ha, you say that because you're too proud to admit the contrary," Draco flies very

too fancy.

"You're a very funny guy, Malfoy"

He cracks his lips twist in his smile.

after a few minutes of silence between us, while everyone is talking about thick between them, smiling like I had never seen it done to them.

He approaches his mouth to my right ear and the feeling of his breath in his neck makes me dizzy.

"does not have a way out, Asteria, you can not escape '

" Draco, I'm afraid I can not understand: I have never ran away from anything, why should I run away from you? "I say trying to sound cool and annoyed but it is difficult, if he looks at me like that.

continues to grin.

"do not lie to me, are a great Legilimens, and your head is like an open book to me," Perfect

we lacked just that.

Already I'm not good at doing what the Muggles call the "poker face", then if he can read.

"have you ever thought of yourself on your own?" Clench your fists under the table.

should thank me if I did not say a bad word.

"I read many minds, but never stubborn as your '

"I take it as a compliment?"

"I'm not a great flatterer, only reserve my congratulations to those who hits me deeply"

"I would be very honored to be hit in the face" I blurt feeling my cheeks go focus.

He who does not know it, does not even noticing ... Oh, and who can read

"I hate you, Malfoy," I think with your eyes closed cracks.

He raises the corners of the mouth, and one finger strokes my cheeks red. Thank heaven that everyone is busy, and that no one notices us. Its index

warm skin against my cheek as always despite being cold, it seems like a match Muggle, and lighting. My stomach does a somersault. He continues to draw circles invisible amused.

I feel her breath in the neck and realize it again with his mouth close to my ear. I realize this is the second time I whispered in his ear, and is the second time he did not say anything.

My chest goes up and down like an elevator crazy.

"I love you, Greengrass'

Monday, August 23, 2010

Gay Simulations Games

sexting. The art of self-portraits Ose




sexting

The art of self-portraits Ose

exhibition of SALVATORE MELILLA

by Angelo Cruciani & Grace Zanotto

FAMILY MARGINS

Galleria d'Arte Contemporanea - Milan

5 to 30 October 2010

Join the new "play" prostitution, self-image through MMS. Get naked and let me through the eye of the spy phone ... the Net and you'll catch hot, beloved of a generation to satisfy any spoiled should "all at once" . We are on the threshold of a crime, already opens a curtain of endless possibilities for pleasure, so much so that it is worth defending freedom of information.

Laura sends a message to Andrea showing the new lace panties, David send a photo to Serena where you want to host boxer in eruption, Matthew and Luke live far away but every night they cybersex, Massimo is always single, but finds love on Cam4 virtual any time.

Technological progress has increased the number of actually opening up new possibilities for communication. Today is Sexting revolutionary form of liberation from the sense of sin in the reports required by the latest excrescence of a bigoted religious culture oppressive. A strategy to reveal what they hide under the burka of respectability, or just a little trick to say "come closer".

show is a demand for attention to the hormonal and emotional truth that can not be silenced or repressed in their bloom.

The instructions to life, a gift from previous generations, are always failed and existential distress è reale quanto l’incalzare del numero di suicidi. Ultimo messaggio d’addio nella casella di aggiornamento dello stato d’umore su Twitter. Esiste un flusso che ci collega tutti come una «memoria archetipica» del terzo millennio. Anche il bisogno d’amore viene postato in internet; navigando non si rischia più d’incappare in un messaggio in bottiglia ma in foto esplicite di nudi adolescenziali.

 

N el Labirinto di Freud vaga Salvatore Melillo; munito di cellulare o di PC to trace the sexual interactions of the last generation, by sexting. nell'avanscoperta Renewing the social role of the artist of the future, the painter Salvatore Melillo browse the network, picking between tits and other body parts available to anyone fleeting glances, classifies as a collector of butterflies and agile with his brush back in the paint. Brave is the path that photo after photo, desire to desire, inch by inch it travels between his work and ardent yearning to tell the hectic world of " cravings " .

The delicacy with which he portrays black white panties and tiny heart-shaped silicone breasts abstracts the image from the time on the calendar of erotic pictures. The last century is told through the postcards of the 30 beauties, pictures of fans close to his chest by soldiers and photographic portraits of immigrants premarital shipped overseas ... sexting today and tomorrow?

Art brings to the surface the hidden side of life in purifying an aura of grandeur, Francisco Goya and Salvador Dali and many other artists all the time are remembered for their courage in opening the door to the unknown and for being able to dissolve collective fears.

Sailing in the wake of the nuances, even if only for a second, the sex turns into love.

Salvatore Melillo offers an interactive game asking "your Sexting 'for make the field of art. By sending a self-timer can participate in the exhibition will be shown in Milan at the gallery Family margins 5 to 30 October 2010.

sexting The art of self-portraits Ose

Solo show of Salvatore Melillo

by Angelo Cruciani & Grace Zanotto


FAMILY MARGINS - Ass cultural and Contemporary Art Gallery

Milan - 5 to 30 October 2010

Opening: Tuesday, October 5, 2010 at 18:30

Cocktail offered by Masseria Felicia

Address: Via Simone d'Orsenigo n ° 6, 20135 Milano.

Hours: Monday Friday 11.30 to 20.00 (by appointment)

Info: tel. 02_55199449 - 328_7141308

Website: www.famigliamargini.com ; www.salvatoremelillo.com ;

Organization: Family Margins - famigliamargini@gmail.com

leaflet shows.

Press Office: Flavia Lanza - flavialanza6@gmail.com ; 340_9245760


Wednesday, July 21, 2010

Pharmaceutical Companies With Dl529

This summary is not available. Please click here to view the post.

Saturday, June 19, 2010

Phone In The Toilet Sayings

Third Renaissance - Hybrid Languages Sensitivity




THIRD RENAISSANCE

Languages Sensitivity Hybrid

by: Angelo Cruciani, Carmelo Strano and Grace Zanotto

Critical text: Marcello Pecchioli, Carmelo Strano

Under the Patronage of: Regione Sicilia, Provincia Regionale di Catania, Ministry of Heritage and Culture.

WHERE: ÀCAOS Galleria Civica d'Arte Contemporanea

Piazza Castello & ndash , c / o Castle Norman, Aci Castello (Catania)

Infoturismo tel. 095 271026

web: www.terzorinascimento.org

email: ufficiostampa@terzorinascimento.org

WHEN: from July 17 to September 20, 2010

TIMES: from Tuesday to Sunday (including holidays) from 9.00 to 13.00 and from 16.00 to 20.00

VERNISSAGE AND REVIEW OF THE OPENING CEREMONY OF ÁCAOS Saturday July 17, 2010 at 11 am : 00

Artists : Veronica Bellei, Fabrizio Bellomo, Emanuele Benedetti, Philippe Berson, Alda Casal, Paul Cassara, Michele Ciacciofera, , Francesco Di Luca, Eron, Juan Esperanza, Andrea Hazel, Luigi Galasso, Maurizio Galimberti, Fabrizio Garghetti, Fabio Winters, Black Kelava, Giuseppe Mastromatteo, Gamal Meleka, Salvatore Melillo, Nelida Mendoza, Beatrice Morabito, Claudio Onorato, Max Papeschi, Lia Pascaniuc, Erika Patrignani, Luca Reffo, Jorge Romeo, Roger Rosfer, Alberto Scodro, Brothers Scuotto, Gabor Szoke, Anan Tzuckerman, Marilena Vita, Christian Zanotto, Massimo Zerbini.

The cultural association Family margins , in collaboration with Ácaos, Civic Gallery of Contemporary Art in Aci Castello, presents from 17 July to 20 September 2010, the collective "Third Renaissance", in one of the magic of Sicily, the Norman castle of Aci Castello.

"Third Renaissance": a possibility of change in the language of art, expressed by a group of artists of today who, through various media, trying to find the meaning of & rsquo ; exist. They are creative, through programs of "deviance", reflect the need to go on ahead to the redevelopment of the values of beautiful and good. Values morphologically and conceptually chameleon, because they insist the contamination originated from the overlapping of migrants. The values of beauty and goodness, and their Greek matrix, found in Sicily, the natural terrain and become magnetic poles of the flow of energy that belongs to a triangle of land between the seas whose symbol is the Trinacria, semiotics of dynamic languages and cultural engagement.

In the logic of a true creative and experimental investigation, utopian, marginal, after the huge success at the Ducal Palace in Urbino, "Third Renaissance" opens a new page, not only for the extension to artists of other cultures, Europe and beyond ; especially: the nomad project, conceived and developed by Family margins, meet the cultural reality of volcanic land at Catania and new forms of contamination.

The artists of "Third Renaissance", carriers of codes generated by crossing conceptual techniques by mutations painting, sculpture crossing forms of assembly and recycling, from photography to video art, performance poetry image. They also outline a multi-varieties, as well as the confusion and serial iconography that characterizes the commercial era.

The exhibition inaugurates the opening of Á ; chaos, Civic Gallery of Contemporary Art in Aci Castello, and is set up in its offices, from the Norman castle (XI century) to continue in the halls of the neighboring Russian palace, also under protection. The castle stands overlooking the sea, overlooking on one side to Africa and the other towards Etna. Just in Aci Castello volcanics are formed in the underwater environment 500 or 600 thousand years ago. Not by chance is known as "Gulf preetneo", highlighted by "Pillows" (spherical pillow lava blocks). The castle is home to a museum etnopaleontologico. The context tells of myths (the stacks hurled by Polyphemus against Ulysses and his) and literary history: Aci Trezza, where the Malavoglia Verga, the Casa del Nespolo preserves artifacts and ethno-anthropological materials photography for the film "The earth trembles" where Luchino Visconti in 1947, tells the story of the novel.

Association Family Margins of reality ' avant-garde was born in Milan, committed to building a future that goes beyond the contemporary crisis and the emotional disorientation, grasps with both hands the revived demands and clear signs of a historic transition, "Third Renaissance" was born to challenge the new is ; ra that is forming. To get answers not only by experts, scholars and professionals, but also (and especially) from the wider public and those that are measured in any way, with contemporary art, whether it's fans or his more radical protesters.

the "beautiful" is contamination?

save mankind from itself.

leaflet shows.

Organization:

FAMILY MARGINS

www.famigliamargini.com

famigliamargini@gmail.com

tel.0255199449

ÁCAOS

Piazza Castello, Castello Normanno,

Aci Castello (Catania)

www.acaos.com

tel. 095 271026

For more information:

Flavia Lanza - Art Project Manager

Tel 0255199449 Ph. 340 9245760

Mail: ufficiostampafamigliamargini@gmail.com

Wednesday, June 2, 2010

How To Program A Gm/l15252034

Group exhibition of contemporary art:'''00 YEARS - THE DECADE Unreal''



YEAR ZERO

THE DECADE Unreal

By Fiordalice Seven, Angelo Cruciani & Grace Zanotto

Family Cultural Margins Ass Milan

Via Simone d'Orsenigo 6

June 25 / / July 20, 2010

Mon-Fri h. 11/14 - 16/20 Sat-Sun by appointment

Opening June 24 18.30 - Free entry

Artists: Veronica Bellei, Ivan Olita, Max Papeschi, Francesco De Molfetta, Neda Kianmehr, Scuotto brothers, Matthew Basilè, Christian Zanotto, Paolo Cassara, Fabio Weik, Emiliano Rubinacci, Martinucci Andrea, Luca Lillo, Fabrizio Bellomo, David Valenti, Sebastiano Zanetti, Giuseppe Mastromatteo, Maurizio Galimberti, Ilaria Ferretti, Roger Rosfer, Beijg Xu, Federica Gif, Eron, Moho, Eltjon Valle, Gabor Szoke, Exilentia Exiff, Emanuele Benedetti Alessandro Nassiri, Giuseppe Veneziano, Laboratorio Saccardi.

Family margins, in collaboration with Fabbrica Borroni, has a crew of artists who talk about the first decade of the new millennium.

Since the fall of the twin towers at the first black president, from Berlusconi to Ratzinger, the economic boom of China to the international crisis, from Osama to Tzunami , from job insecurity to the relationship, from mobile to facebook!

Sons of a technology-violent, non-life Matrix preassembled dream-like current.

chains made from optical fibers, sms as Rimbaud, paperless letters and pictures that you consume on signs spinning.

I'm the guy of the year zero, at the start of something without a name ...

New millennium, new century began with a decade that has retraced styles and concepts of an old story that prey senz'analizzarla.

I am the boy of the decade unreal that leaves no trace because it consumes and burns polluted soul and atmosphere.

am the man who does not grow because the illusion of being able to talk makes me feel free undertaking.

I have too much sex without family, is the rugged West by absurd ambitions inculcated by illusions of reach.

are the human animal without awareness of the existential sense, I fucked all spontaneity to build a perfection that does not smell of sweat more.

are recovering from years of confusion, I do not know what I can build now that everything has been destroyed, sell policies, even God

;

artists, we all become "artists", the words have lost value chasing commodified communication styles, the children to design machines to a big change there also trying to realize that presence that was missing. It Art? Artists do it again?

Family margins Ass cultural

Via Simone d'Orsenigo n ° 6

20135 Milan, Italy

www.famigliamargini.com

famigliamargini@gmail.com

tel: 0255199449

ph: 3287141308

----------------- -------------------------------------------------- -------------------------------------------------- -------------------------------------------------- -

ENGLISH VERSION



 

THE ZERO YEARS *

THE UNREAL DECADE

 

Curated by Fiordalice Sette, Angelo Cruciani & Grace Zanotto

 

Family margins Milan Cultural Association

Via Simone d'Orsenigo, 6

;

Exhibition dates of June 25th / 20th of July 2010

Vernissage 24th of June at 6.30pm - Free entrance

Artists: Veronica Bellei, Ivan Olita, Max Papeschi, Francesco De Molfetta, Neda Kianmehr, Scuotto brothers, Matthew Basilè, Christian Zanotto, Paolo Cassara, Fabio Weik, Emiliano Rubinacci, Martinucci Andrea, Luca Lillo, Fabrizio Bellomo, David Valenti, Sebastiano Zanetti, Giuseppe Mastromatteo, Maurizio Galimberti, Ilaria Ferretti, Roger Rosfer, Beijg Xu, Federica Gif, Eron, Moho, Eltjon Valle, Gabor Szoke, Exilentia Exiff, Emanuele Benedetti, Alessandro Nassiri, Giuseppe Veneziano, Laboratorio Saccardi .

 

 

 

A crew of artists that tell the first decade of the new millennium: from the fall of the Twin Towers to the first black president, from Berlusconi to Ratzinger, from the Chinese economic boom to the international crises, from Osama to Tzunami, from the job insecurity to the relationship frailty, from cell phone to facebook!

 

The children of a violent technology, the Matrix dreamily predicts the current non-life.

 

The optical fibber strings, Rimbaud like text messages, paperless letters and the images that wear out on a rotating signs.

 

I’m the boy of the zero years, those of the beginning of something nameless…

 

The new millennium began, a new century and a decade that has retraced styles and concepts of a plundered, not analyzed, old Story.

 

  I am the boy of the unreal decade that leaves no trace because it consumes and burns fast polluting souls and atmospheres.

 

I am the man who doesn’t grow up since the illusion of being able to communicate makes me feel free of commitment.

 

I have many sexes, no family; I am the West rugged by absurd ambitions instilled by unattainable illusions.

 

I’m the human animal without the consciousness of the existential sense; I fuck all spontaneity to build a perfection that doesn’t stink of sweat any more.

 

I’m the survivor from the years of confusion, I do not know what I can build now when everything has been destroyed; we sell politics, even God.

 

The artists, we all became “artists”, chasing commodified communication styles, the words have lost value; the children of scheming projects we advance toward a big change trying to realize the missing presence. And the Art? are the Artists that still do it?   

 

 

*(Anni ‘00)

 


Famiglia Margini è un'associazione cultural and contemporary art gallery.

inaugurated in Milan blessed with abundant flakes of snow January 26, 2006, Gallery Family margins proposed as a conceptual basis starting designs Nobel Dario For, the revolutionary project of a city in a human sense.

Margins In the spring of 2009 Family moves to new headquarters in Via Simone d'Orsenigo 6, Milan, a large open space that offers more open and dynamic art projects undertaken in the objective of saving the ' humanity from itself.
www.famigliamargini.com






Fabbrica Borroni is a former industrial building point of reference for the art scene. Built around 1890. Reopened in 2004 after restoration. In addition to housing and the historic collection of young Italian artists, Fabbrica Borroni regularly organizes exhibitions, working with the land but instead use a look at the national and international opportunities. www.fabbricaborroni.it

-----

FAMILY MARGINS

Cultural Association and contemporary art gallery

Via Simone d'Orsenigo, 6 - Milan

Mon-Fri h. 11/14 - 16/20 Sat-Sun by appointment

Web: http://www.apokalypse.co.uk - http://www.famigliamargini.com

E-mail: famigliamargini@gmail.com

tel: 0255199449 ph: 3287141308

info & press : 3409245760 Flavia Lanza